"Just Another Piece of Olympic Metal"
I found this article posted at another site and asked the woman who translated it if I could post it here because I thought it was such an interesting look into the figure skating world and had a nice little swimming tie-in at the end. I hope y'all enjoy it. I'll get back on the topic of Short Course tomorrow!
Thanks to Nadya for the translation
Sport Express
By Elena Vaitsekhovskaya
Feb 23, 2006
Russian figure skating fans took Irina Slutskaya's bronze medal in Torino as a tragedy. It wasn't even a matter of making a new record, although Slutskaya had every chance to win gold. Irina took her loss as a personal disaster that was much harder to handle than losing gold in Salt Lake four years ago.
The story of Torino ladies competition followed a familiar script. When two main contenders clash in their fight for gold, a dark horse often leaps from behind their backs.
2004 World champion Shizuka Arakawa became the dark horse of Torino.
Arakawa "had" only one judge out of a 12-member judging panel - the one that ranked her the first in the short program. There was never any plan to hold her up or keep her down. Her placement was her own doing. She completed three jump combinations, including a triple salchow-double toe loop-double loop late in the program, which brought her bonus points. Her spins and step sequences were graded Level 4 (except one). Her only slip was doubling the loop, but even with that, her technical scores were extraordinary. Without a doubt, that was the skate of her life. And the scores reflected it by placing her 8.69 points over Sasha Cohen, the skater who according to the popular wisdom was going to be crowned the queen of this evening.
Free skates like Arakawa's are very hard on her competitors. They demoralize and destroy all fighting spirit. But we wanted to believe that Slutskaya won't fall prey to that. We all know how much of a fighter she is. And Irina had to know that her competitors are in great shape: she must have seen it by a thousand small things that an experienced eye picks up without trying. Still, after the morning practice on the day of the free skate, she said, offhandedly, "I'll tear them all to pieces!"
Could she have? Absolutely.
Or maybe not. Slutskaya's win could have become the main event of these Olympics, and no words would have conveyed how precious that win would have been. Because everything that evening played against her, including Russia's three wins in men, pairs and ice dance, the endless rumors of getting jobbed like in Salt Lake City to "pay" for her accomplishments, and the cursed last draw number to skate. The last to skate meant forty minutes of torturous waiting after the warm up filled by applause to her rivals. There was no way she didn't hear them.
When her turn came, Slutskaya skated heavily like never before. It wasn't just the fall on her loop. Like Arakawa, she completed two combinations, but one of them consisted of only double jumps. By the end of the program, she just wilted. The spirit left her skating and it became a robotic sequence of simple elements. It was clear that Irina couldn't wait to leave the ice, and every step on that rink was like walking on hot coals barefoot.
Could she have stayed in second ahead of Cohen. Perhaps. It's hard to rank skaters when both make mistakes. Sasha fell once and managed to keep her footing after a second botched jump, which saved her a point. The difference was that after two slip-ups she was able to focus and finish the program like nothing ever happened. And the main impression of her program was not her unbridled nervousness early on, but her pure lines, crisp elements and superb choreography. It takes a hero of some sort to make all you can out of your program when you have no chances left to win.
But for Irina, the medal of any other color just didn't matter, just like it didn't to us. The fact was, it wasn't gold, and that made it tragic for Irina and all her fans.
Her feelings toward her medal were best expressed in the mandatory interview in the mixed zone. She had to be dragged there from the locker room. Her eyes swollen from crying, but her smile firmly in place (at what cost, one wonders), Slutskaya wryly said, "Just another piece of Olympic metal, no more." And she cast a momentary look at her medal like it was a vile snake.
"Is she going to the worlds?" I asked her coach Zhanna Gromova. She looked at me with a blind eye. Really, it was a dumb question. How can you talk of world championships when you just ran out of sedative pills?
Someone next to her looked for more, and they were out as well.
Tatiana Tarasova commentated the ladies free skate, and she couldn't say a word when Irina skated. Only after the ceremony, when we went back to the skaters' section, she said:
"I can't tell you how much I worried and rooted for Irina. I couldn't even commentate at the end. I have so much respect for her. And not just because she came back to skating and went to the Olympics after her disease. To achieve what she achieved in figure skating is to exceed your natural gifts by the tenfold. She made herself into a real athlete, a fighter, same as her coach Zhanna Gromova.
"They had it very hard. Totmianina and Marinin and Navka/Kostomarov, two other winning pairs in Torino, have been living and skating in America for a long time. They had a chance to stay away from all the perils of post-USSR Russia. I had to go abroad because I realized that by the time Russia improves I will be very old and perhaps unable to work. I didn't want to lose ten years of my coaching happiness that I enjoyed working in the USA. I learned a lot, and taught others a lot.
"All these years in the USA, you worked with Cohen, Michelle Kwan, and Arakawa. Perhaps more than anyone else you realize that today's results had to be expected?"
"No, they didn't have to be expected. They didn't. Arakawa did have the best practices of them all. She's in terrific shape. When she's in that shape she can even do a 3-3-3, perhaps underrotate a bit, but in practice, she did a triple flip-triple loop, and the loop was clean as a whistle. You could see that she's not at the peak of her form yet, but she's getting there."
"This season she skated brilliantly. She defeated Sasha at TEB. I think the Japanese Skating Federation made a mistake by sending her to the same Grand Prix events with Mao Asada. It was like she was left to be second. I thought they did it deliberately. I wrote to them and told them it's unacceptable, particularly because they already knew that Asada would miss the Olympics. But what happened, happened. That's why Arakawa didn't make it to Grand Prix Final. And then we parted ways."
"Because you didn't want to develop a new program for her?"
"Shizuka wanted to change her free program and skate to Carmen, but I told her that I don't see her as a Carmen and won't work at that program.
Although in hindsight, I should have thought why she wanted it so badly. Even my father always told me to listen to outstanding athletes because they never say anything without thinking it through first."
"Did you try to keep her somehow, talk her into staying in Moscow?"
"No, I thought it would be better for her to leave. That's a known trick, by the way, changing coaches before an important meet. A new coach can give an athlete some new blood, some additional energies. That's the way Arakawa came to me before Dortmund from Morozov - he wasn't her coach per se, but he made her programs and worked with her a lot. Changing coaches gives skaters a chance to do something new, to change their routines temporarily. That's what Chait and Sakhnovksi did: every time they changed coaches they advanced a bit."
"I don't regret parting ways with Shizuka. Just like three years ago I didn't regret parting ways with Cohen. I gave them all I could. Perhaps I just ran out of patience. And coaching without patience is a lost cause - you won't achieve anything."
"Seeing how sincerely the Japanese are thanking you, looks like Shizuka and yourself parted on good terms?"
"When she realized I'm not going to work with her and went to the USA to work with Morozov, I wrote her a letter. I advised her to return to her old music that brought her gold in Dortmund, not Carmen. I told her that in my opinion, that music has so much positive emotion for her, it just had to help.
"When we were working together, I was much more worried about her jumps. And my letter read approximately like this: "No matter what routine you pick, you must do the flip. You can change the music, but you must do the flip. You may want to change your step sequence, but you must do the flip." And two and a half more pages along the same lines.
"So she did the flip. Because she was ready."
Japan's first Olympic gold was completely deserved. No matter how painful Slutskaya's loss, the results were completely fair, much more so than in Salt Lake, where the distance between three medalists was so small that the results are still being debated.
In addition, Torino was a sad experience because we saw the end of several grand epochs. Slutskaya, Totmianina and Marinen, Navka and Kostomarov...and perhaps, Plushenko.
"What's next?"
Tarasova said, "You'll have your coaches, but you have to make it worth their while to stay. You have to give them an opportunity to work with several skaters, not just one. When you work with just one skater, no matter how brilliant, you lose. But presently in Russia you can make a living only coaching rich kids. So you have to teach multiple seminars just to make ends meet. To coach someone else. Kudriavtsev and Mishin are in the same boat. We all have to coach other skaters, and you can see the results - they are too good for our own Russian good."
What can you add to this? Perhaps Slutskaya will go to Calgary just to win. To slam the door, to show to the world that losing the Olympics were just a fluke. We don't need that, she does. Because it seems to me that leaving at the top of her game is the most important thing to Irina right now.
Although in reality, it's not as important. In the Greece Olympics, where a four-time Olympic Champion Alexander Popop ended his career, and his fans were hurting because we couldn't find any words of comfort, I had a chance to talk to Kees van den Hugenband - the father of the Dutch swimmer who took the victory away from Popov in Athens and four years earlier in Sydney. And when I mentioned that after his loss, perhaps Popov will no longer be an idol to his son, Kees suddenly said, "Do you really believe that his losses here are important? He'll remain a legend all his life. He did so much for swimming that no one else is likely to top that."
Thanks to Nadya for the translation
posted by Michelle at
2/27/2006 10:42:00 PM
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Luckily I'll be distracted by swimming on OLN. Y'all don't forget that World Cup NY comes on this afternoon at 5 eastern and we are keeping fingers crossed that it's not just a rebroadcast of what they showed on Saturday but will contain Brendan's races and commentary as well as more shots of us in the crowd (cause you know we were the best looking fans there).
